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A deputy investigated a disturbance in development at 159 April Stage North Jan. thirteen. A gentleman was arrested for an assault warrant. • A deputy responded to a report of a suspicious automobile in the 2300 block of FM 1486 Jan. eleven. An occupant of the automobile was …
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San Francisco, CA (PRWEB) April nine, 2008

Nine documentary filmmaking groups have been chosen to prototype innovative interactive, cell, multimedia, and match projects to have interaction and create audiences for their social situation storytelling during the 2008 Producers Institute for New Media Systems having area May thirty – June 8 at the Bay Area Video clip Coalition (BAVC).

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Funded by the MacArthur Basis, the Producers Institute for New Media Technologies connects independent producers and their socially appropriate content to emerging types of storytelling and distribution. Through the Institute, documentary generation groups from throughout the US and South The usa devote 10 days at BAVC functioning with technologists, designers, and programmers to create new versions of participatory media. Mentors from leading technology companies, like Apple, Adobe, Google, MobiTV, Existing Tv set, and others, operate with teams to layout and create functioning prototypes, which are then presented to funding and review panels at the conclude of the Institute.

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Initiatives from the 2007 Institute included the creation of a digital, 3D Guantanamo Bay jail in 2nd Lifestyle (now used by the ACLU), an interactive timeline and cell material platform for award-successful documentary Calavera Highway, and a detest criminal offense social network and Google map mash-up dependent on the countrywide PBS broadcast sequence Not In Our Town.

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Patrice O’Neill, from Not In Our City has said of the Institute, “As filmmakers and men and women trying to develop the appropriate media tools for them, we have been underneath funded and have experienced this kind of a lack of institutional help (the Producers Institute) is the most assistance we have obtained in twelve many years. And it has been incredible.”

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Assignments selected for 2008 consist of stories from regional, national, and intercontinental producers on a broad assortment of matters such as gang violence, global warming, transgender troubles and tolerance, the Worldwide Criminal Court, the demise penalty, and African-American images:

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WHAT WE Got (sponsored by ITVS)&#thirteen

Undertaking Director: Brad Lichtenstein&#thirteen

What We Acquired is billed as a “shared documentary/fiction mash-up about what belongs to all of us.” It is a multimedia undertaking that consists of a function documentary/fiction hybrid film (impressed by Wizard of Oz and Alice in Wonderland) that tells the story of DJ Spooky’s quest to discover the Commons. A social networking site and set of instruments and widgets will invite the public to remix and share the motion picture and its elements and a large-scale public engagement campaign will work to unite disparate teams to advertise and protect the cultural and creative Commons. Brad and Spooky (alongside with Vernon Reid and Sam Pollard) intend to aid the general public realize how biocultural variety, language, traditional knowledge, the Net, community space, and culture itself are commons that maintain us and must not be enclosed, or owned, by anyone. At the Institute they will prototype web two. social networking instruments and widgets and start to conceive a dynamic new conversation style that defies standard versions.

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IN THE Harmony: THE Loss of life PENALTY Recreation&#thirteen

Undertaking Director: Susana Ruiz (direct developer of Darfur Is Dying, MTV’s refugee game-for-alter)&#thirteen

This game seeks to illuminate the flawed nature of the American prison method and the irreversible nature of the death penalty. It is based on an ongoing documentary venture about six Kentuckians sentenced to lifestyle in jail as young adults. The goal of the interactive project is to provide a variety of perspectives and foster discourse about the intricate and flawed methods of sentencing, incarcerations, and state-sanctioned death. Key characteristics contain: genuine info (interviews, stats &amp testimonies) shaping narrative content material &amp sport play, stay info (through RSS) constantly affecting emergent factors of the narrative, and an “Emotion On/Off Switch” to influence sport methodology. The group wants to layout mobile connectivity, a Wii platform, and instruments for both activism and evaluation.

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Intercontinental Prison Courtroom Academic INITIATIVE&#13

Undertaking Director: Paco de Onis&#13

The ICC is the first long lasting international tribunal established up to attempt individuals for crimes from humanity. The Reckoning is a documentary about the vital early many years of the ICC as it concerns arrest warrants in Uganda and puts two Congolese warlords on demo and shakes up the Colombian justice method. By means of the Institute, the group will produce a social network, a relaxed sport application for academic distribution, and a mobile cellphone/textual content messaging instrument to deliver stakeholders into the network in buy to increase knowing and awareness of the ICC, and generate a global dialogue about international justice and the role it can perform in deterring mass atrocities.

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ADOPTLINK (sponsored by Sundance Documentary Institute)&#thirteen

Venture Director: Deann Liem&#thirteen

AdoptLink is envisioned as an on the web area for Korean adoptees throughout the world, and is a companion venture to the documentary Treasured Objects of Need a stick to-up to Ms. Liem’s award-successful First Person Plural, a documentary about Ms. Liem struggle with identification when she was adopted by an American family. The website will allow Korean adoptees from all around the world to share stories, upload video, provide suggestions &amp assist, and so forth. The central characteristic will be an interactive map of the entire world the place users can see the Diasporas of Korean adoptees (for illustration, eleven,000 Korean adoptees ended up in Sweden, ten,000 in France). Characters in the movie will populate some of the spots and post creative and historic material to motivate participation by this international local community.

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PARALLEL Stories/HISTORIAS PARALELAS&#thirteen

Project Director: Marlene Velasco-Begue&#13

Monica is a twenty-12 months previous pregnant gang member from San Salvador who went to prison for murdering a girl from another gang. Hers is only one of numerous stories explored in this documentary/new media undertaking about gang existence, violence and intercultural identification. Parallel Tales will allow a world-wide audience of at-risk youthful men and women to interact in a dialogue across borders and languages. At the Institute, the producers look for to create a “youth and violence” pov in nontraditional methods and investigate alternative modes of storytelling – prototyping webisodes &amp cellular downloads, a videoblog, and an embedded match interface.

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NO DUMB Inquiries&#13

Project Director: Melissa Regan&#thirteen

No Dumb Concerns is a limited documentary about a few sisters whose Uncle Bill gets their Aunt Barbara. An HBO movie, it gained awards at the Sundance Movie Competition in 2001 and at present has national academic distribution. For the Institute, director Melissa Regan proposes an interactive system to generate a new product for understanding and storytelling on the web. It will be a moderated consumer-produced articles (UGC) internet site. Users can submit questions, solutions, and their personal stories through video, audio, images, or text. There will be “consider motion” functions designed in session with LGBT nonprofit companion corporations.

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iWitness FRONTLINE/Entire world Web Channel&#thirteen

Project Director: Joe Rubin&#13

With iWitness, Frontline/World hopes to carry a higher number of unheard voices from around the globe to the net &amp other platforms. A lot more in tune with the Facebook/YouTube generation, “iWitness will motivate voices from outside of the mainstream, by way of online video dispatches, net cam and cellphone interviews.” This project, presently in improvement, brings material like experimental internet chat with Pakistani college students, and uncooked eyewitness activist footage from Burma during the violent crackdown on protesters by the ruling navy junta to Frontline/Entire world programming. At the Institute, the group will operate on new media marketing and fundraising techniques, prototype the web layout and template to combine with the Frontline/Entire world web site, and build ideal practices for employing interactive web video.

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TURNING UP THE Warmth&#13

Daniel Grossman&#thirteen

Turning Up the Heat is an impartial radio documentary and multimedia project to raise community consciousness about the human impacts of international warming. It is collaboration in between Daniel Grossman and the Pulitzer Middle on Disaster Reporting. There will be a collection of radio functions created for Public Radio International’s present “The Entire world” along with an interactive website. The Institute project will be the “evidence-of-notion” stage for what is prepared as a suite of interactive-weather adjust-impact apps. They are preparing to prototype a 3D geographically based browser game app called “Undertake a Coastline.” Gamers adopt a piece of coastline on an actual globe, and using modeling tools, are capable to assemble streets, properties and civic infrastructure, virtual cities and towns. They can increase sea stage, and get a selection of preventive steps to ameliorate the effects of flooding.

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Digital DIASPORA Loved ones REUNION (NBPC)&#thirteen

Undertaking Director: Thomas Allen Harris&#13

This project is based on Through A Lens Darkly: Black Photographers and the Emergence of a Men and women, a two-hour broadcast documentary that explores how African American communities have used the medium of images to construct political, aesthetic, and cultural representations of them selves and their entire world. At the Institute, the staff is hunting to refine a “new product for interactive filmmaking” that employs UGC in conjunction with the production of the documentary, and create a prototype of a portal the place audiences can investigate and produce personal and neighborhood narratives. They propose to prototype a multimedia Google map interface to contain multiple “visual vectors,” or media streams permitting end users to “achieve in” and launch or retrieve media. Crucial cities with massive African American populations have been determined as geographic portals for outreach.

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The Bay Area Video clip Coalition (BAVC) was launched in 1976 to support independence of expression by generating superior media technological innovation available to independent media makers and nonprofits. We instruct. We empower imaginative expression. We protect the previous. And we produce foreseeable future media makers and innovators. BAVC’s mission is to be the nation’s most innovative noncommercial media accessibility and coaching heart. Go to BAVC on-line at http://www.bavc.org.

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Get in touch with&#thirteen

Wendy Levy&#thirteen

415-558-2170&#13

wendy(at)bavc.org

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